HOT WATER—Water, Peace & War
Silvana Tuccio (Siracusa, Italy)
– ‘COLLIDER_100: Kyiv 2014’ by Oksana Chepelyk
– ‘Life is no more’ by Virginia Gathoni
– ‘Aotearoa Wai: Words for Water’ by Tracey Benson
Joanna Hoffmann (Poznan, Poland)
– ‘Kala (Time)’ by Daniela Beltrani
– ‘Shi Jian (Time)’ by Daniela Beltrani
– ‘Temple Water Dances: Water Crystal’ by David Heller
Ian Clothier (New Plymouth, New Zealand)
– ‘Oceanantic’ by Wayne Quilliam
– ‘Into the water. South Bank pond, Brisbane’ by Anastasia Tyurina
– ‘No Choice, No Voice’ by Suzon Fuks
Molly Hankwitz (San Francisco, USA)
– ‘Down the Rabbit Hole’ by Brandi Merolla
– ‘wa(te)r’ by Barbara Roland
– ‘Golden Warm Water’ by Rozita Fogelman
Facilitated by James Cunningham (Brisbane, Australia)
Leah Barclay (at Balance-Unbalance Conference, Phoenix, Arizona)
– ‘Bunurong’ by Jenny Fraser
– ‘The River Speaks’ by Ian Clothier
– ‘DIY Water Sensing:Thinking About Water’ by Nina Czegledy
Nina Czegledy (at Balance-Unbalance Conference, Phoenix, Arizona)
– ‘Oil & Water #1’ by Margie Labadie
– ‘Night of the crystal mutants’ by Fur Chick
– ‘Into the water. Mount Gravatt pond, Brisbane’ by Anastasia TyurinaEric Leonardson (at Balance-Unbalance Conference, Phoenix, Arizona)
– ‘Waterphone and Electronics’ by Roger Mills
– ‘International Performance Art Strike’ by Ignacio Pérez Pérez
– ‘Moments Later’ by Atilio Doreste
Ilka Nelson (at Balance-Unbalance Conference, Phoenix, Arizona)
– ‘Witness to Industrialization’ by Brandi Merolla
– ‘Regardless of What The Others Are Doing’ by Kristine Diekman
– ‘Temple Water Dances: moneymelt’ by Kailey McCrudden
Alberto Vazquez (Buenos Aires, Argentina)
– ‘Bordes Dudosos’ by Sandra Petrovich
– ‘e-Tears of War and Healing’ by Lila Moore
– ‘Into the water. Brown Lake, North Stradbroke Island’ by Anastasia Tyurina
Molly Hankwitz (San Francisco, USA)
– ‘How to conserve water during the Drought: posters made by 2nd graders’ by Michele Guieu
– ‘Horizontal Absence’ by Caitlyn Manning
– ‘The Water[war]s’ by Jill Greenhalgh
A curated online exhibition was held on Waterwheel with 2 panels on the Tap on 29-30 March 2015. Documentation here.
168 contributions were uploaded by 85 participants. The media was then divided between 10 international guests, who then selected three that spoke strongly to them. Two panels were held on the Tap, in which the selected contributions were presented and discussed. The artistic calibre and level of environmental concern impressed the panelists.